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Conceptual art essay


conceptual art essay

parallel between the taxonomic qualities of verbal and visual languages - a concept would be taken up in Joseph Kosuth's Second Investigation, Proposition 1 (1968) and Mel. These articles exemplify the development of an institutional critique within the inner circle of Conceptual Art. Though not as large in size than some of our better known neighbors, theres a certain comfort in being part of a small friendly community. (This depended on how much they are prepared to pay). 28 " Conceptual Art - The Art Story". It is sometimes (as in the work of Robert Barry, Yoko Ono, and Weiner himself) reduced to a set of written instructions describing a work, but stopping short of actually making itemphasising the idea as more important than the artifact. It is thus not so much an absence of skill or hostility toward tradition that defines conceptual art as an evident disregard for conventional, modern notions of authorial presence and of individual artistic expression.

It is one of those works of art that need to be explained by an expert before it can be appreciated. This new approach is exemplified by the conceptual artwork (a list of instructions) by Martin Creed, entitled "227: The Lights Going On and Off" (2001 which won the Turner Prize in 2001. Since 1980, the use of computer and other technologies has revolutionized multimedia art (e.g. It's a postmodernist minimalist sculpture consisting of 120 regular building bricks. 23 1962: Christo 's Iron Curtain work.

Klein also exhibited 'One Minute Fire Painting' which was a blue panel into which 16 firecrackers were set. Notable conceptual artists edit See also edit Individual works edit Notes and references edit "Wall Drawing 811 - Sol LeWitt".

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Instead, they believe that the spectator is an equally important judge of meaning. Entitled "The Specialisation of Sensibility in the Raw Material State into Stabilised Pictorial Sensibility it consisted of nine completely empty rooms, and nothing else. Lawrence Weiner said: "Once you know about a work of mine you own. There's no way I can climb inside somebody's head and remove." Many conceptual artists' work can therefore only be known about through documentation which is manifested by it,.g. Gerhard Richter combined camera art and painting in his 'photo-paintings' of the 1970s, while.

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